MONICA (France) 1967 - 1974
The Hispano-Suiza of "avant-guerre"
had despaired the only luxury French made cars were, Bugatti, Delahaye,
Talbot whom were also forced to close there business's in the fifties.
Facel-Vega also had tried to commercialize there prestigious cars
in the same era but they also had to stop there activities in the
late year of 1964.
Nevertheless, a French industrialist will try to bring that market
back to life in 1967. In those days, Jean Tastevin is director of
the CFMF (French railway company) that chain produces train wagons.
Great amateur of luxury cars that he was, he felt it was a shame
not to be able to get any French prestigious cars anymore. He then
decides to make his own automobile: Monica was born. Why Monica?
His wife's first name was Monique!
In order to have a well managed enterprise he recruited a British
man by the name of Chris Lawrence to conceive a high performance
car with four seats. The first Monica was ready by April 1968. Williams
et Pritchard, the British mechanical workshop built the first prototype.
The results does not satisfy Jean Tastevin, he then turn around
and collaborates with a young stylist from Romania, Tony Rascanu
to redesign the Monica. With this implication Monica became the
one that we know today.
Henri Chapron who was a master coachbuilder created a wooden mock-up
which he then sent to a coachbuilder in Torino: Vignale who was
assigned to build the Monica. Unfortunately, Alfredo Vignale dies
in the year of 1969 at that point his enterprise was sold. Jean
Tastevin, then decides to order from Airflow Streamlines (a British
company) a fourth prototype. The Monica was presented in Paris at
the "Salon de l'Auto" 1972 official opening.
The one presented in 1972 by Jean Tastevin is equipped with an
engine studied by the British engineer Ted Martin: it is actually
a V8 conceived for the Formula 1 re-bored at 3.5 liters with 240
hp at 6000 rpm. It is though a light and high performance engine,
but to sophisticated and does not compel with the expected reliability.
Like Facel-Vega in 1954, Jean Tastevin calls upon the Chrysler
company to supply his 5.9 liters (360 ci). It will finally the Chrysler
5.6 liters (340 ci) that will be chosen.
After head, valves and pistons modifications, this engine is good
for 285 hp at 5000 rpm. With this engine, the 1850 kg of the Monica
could reach 240 km/h. In these it was the highest performance four
door car proposed on the market.
Once again the Monica is presented to the Salon de Paris in 1973.
Unfortunately that year the petroleum industry suffered a big crisis.
The price of petroleum went sky rocketing five times the normal
price within one year. Also draconian speed limitations were established.
It's the end of a dream. While most of the prestigious makes can
hardly sale there products, Jean Tastevin must make his point. Time
wont be enough, he decides to stop the production. Meanwhile 20
of them had been built.
Monica has a very modern design: Italian front end (Maserati Indy),
also Italian towards the back (Ferrari 365 GT), but British especially
sideways (Aston-Martin DBS). Most importantly, it's a real four
door, four seat sport type on magnificent large aluminum wheels.
The interior is sumptuous. Opening the doors from the inside has
never been so easy: simple touch of a button, assisted by an automatic
no noise system to close them back. The seats are in genuine Connolly
leather, thick carpet covers the complete floor and lower parts
of the doors. The dash is in precious wood with full instrumentation:
speedometer, tachometer, oil temperature and pressure, ammeter,
water temperature, fuel gauge and clock, covered in suede and leather,
like the central console with the commands for electric windows,
courtesy lights and lighter. Unlike most of the GT's of that era,
the seats offer a remarkable comfort and the visibility is great
for every angles.
Production is stopped in 1974, the then high price of gas and speed
limits (invented and created in order to reduce gas consumption
and then later for pollution and security reasons) killed the enthusiasm
of a great industrialist.
In other words, Monica had one big problem: it used a lot of gas.
Bad timing. It had a great road capacity then any other "Grand Tourism"
and was top quality. All of that for a little bit more than a Rolls-Royce
Silver Shadow or a Ferrari Daytona. Unlike these ones, Monica is
rarer and exclusive, it will probably be a good investment… If you
find one!
More about Monica? Pictures, etc... CLICK
HERE
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